The paradox is the key: Belanger uses finesse and understatement yet is compelling. Undemonstrative panache captures this — a quiet, understated flair that somehow draws attention. The attention is drawn as if the dancer is trying to deflect it (redirect it away) — which is what understatement does. 'Unrestrained enthusiasm' contradicts 'finesse and understatement.' 'Unattractive gawkiness' makes no sense with compelling stage presence.